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Veuillez utiliser cette adresse pour citer ce document : https://hdl.handle.net/20.500.12177/13814
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dc.contributor.advisorNoumbissi Wambo, Joseph-
dc.contributor.authorNyandong Mbida, Justine Stella-
dc.date.accessioned2026-07-27T09:14:51Z-
dc.date.available2026-07-27T09:14:51Z-
dc.date.issued2024-04-
dc.identifier.urihttps://hdl.handle.net/20.500.12177/13814-
dc.description.abstractIn the pre-colonial period, myth was the Mirror of society, It was the guarantor of ideologies, guarantor of education and valued and ensured the good transmission of culture. So it had a sociological and cultural function. This during the brutal eruption of the West in Africa was the cause of the disappearance of the myth. From now on, myths are no longer used as guarantors and transmitters of culture. In homes with globalization, televisions, radios, social networks advocate foreign culture and this greatly affects African societies in general and those of Cameroon in particular. Colonization having played the major role in the acculturation of Cameroonian peoples, globalization has come to complete what colonization began with that, colonization advocated the culture of the colonist and globalization advocates foreign cultures which means that today, we see a deviation ...fr_FR
dc.format.extent144fr_FR
dc.publisherUniversité de Yaoundé 1fr_FR
dc.subjectAdaptationfr_FR
dc.subjectMythes ékangfr_FR
dc.subjectProductions cinématographiquesfr_FR
dc.subjectCamerounaisesfr_FR
dc.titleNécessité de l’adaptation des mythes ékang dans les productions cinématographiques camerounaisesfr_FR
dc.typeThesis-
Collection(s) :Mémoires soutenus

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